February 28, 2006
Mays, El Torpedo rock ECMAs
By STEPHEN COOKE
- Halifax herald

Monday was Mays Day at the East Coast Music Awards in Charlottetown, as Dartmouth rocker Matt Mays and his band El Torpedo took home four pewter trophies.

Mays & El Torpedo earned honours for album and rock recording of the year for their self-titled CD, plus group and single of the year for Cocaine Cowgirl, at the 3 1/2-hour awards gala at the Charlottetown Civic Centre.

"It’s great. We like it any time we can get any kind of recognition for all the miles we put on our van, the Night Owl," Mays said backstage after the win for group of the year.

"It started out as just me and a backup band but it evolved into a group, and we really are a group. We’ve been working hard to establish a real fan base, not an overnight fan base, and putting in the miles is what’s worked for us. Now we’re filling rooms across Canada, which is better than playing empty rooms, which sometimes happened starting out four years ago."

The evening’s other multiple-award winners were also Nova Scotia artists. Joel Plaskett was named male artist and SOCAN songwriter of the year for his song Happen Now, beating out perennial favourite Gordie Sampson from Big Pond, who had three nominations in the category.

"My band is important. I guess I was a little selfish for going off and making a solo album," Plaskett said of his recent effort La De Da. "But this award is for the work we put in collectively, it’s really a three-male artist award.

"Coming from the indie rock world, it feels like the scene is really galvanizing, and the ECMAs are really tapping into it, and that’s a good thing."

Cape Breton Gaelic singer Mary Jane Lamond was pegged as the female artist of the year with her CD Storas picked as the roots/traditional solo recording of the year.

"I have a real passion for this culture," Lamond told reporters backstage. "Lots of minority languages are in danger of disappearing. I’m very happy that I can bring some attention to Gaelic music, language and culture."

Cape Breton culture was also recognized when the Dr. Helen Creighton Lifetime Achievement Award was bestowed on Judique fiddling icon Buddy MacMaster, with a loving tribute from his internationally known niece Natalie MacMaster.

The coveted entertainer of the year prize went to Pictou County country singer George Canyon, his second straight win in the only ECMA category voted on by the public.

Leading nominees the Trews, who tied Matt Mays & El Torpedo for the most nods with five each, picked up their sole ECMA in the video of the year category for So She’s Leaving.

In all, 21 awards went to Nova Scotia performers, with seven of those going to Cape Breton artists. Newfoundland and Labrador acts earned five trophies, while artists from host province Prince Edward Island and New Brunswick picked up one apiece.

Cheticamp’s J.P. Cormier picked up yet another shiny treble clef on Monday, this time in the folk recording of the year category for The Long River: A Personal Tribute to Gordon Lightfoot. The recording bears the personal stamp of approval of the master Canadian songwriter, who granted Cormier 18 licences to cover his songs.

"Gord is the bar by which I measure my own work, which is why I gravitate towards his music," Cormier said backstage. "I still haven’t written anything as good as his, but I’m trying."

When asked what Lightfoot song best summed up Monday’s win, Cormier quickly responded: "That’s What You Get for Loving Me," earning hearty laughs from the media.

Cape Breton native Jonathan Andrews was recognized for aboriginal recording of the year for his CD Halifax Indie Rock, and thanked "everyone who got the joke" from the podium. Later, backstage, he noted he was "told by the band where my family’s from, Chapel Island, that not only am I the only person from there who’s been nominated for an award, I’m the only person who’s made an album."

"Hopefully this will inspire some of the young people to work on their music."

Other Island wins included Slowcoaster for alternative recording of the year for Where Are They Going?, Matt Minglewood for blues album of the year for The Story, and Celtic and Traditional Lullabies of Cape Breton for children’s recording of the year.

Nova Scotia also cleaned up when it came to hip hop and R&B, with Halifax Juno Award nominee Classified earning the rap/hip-hop single track recording of the year, Canadian Idol star Gary Beals winning African-Canadian recording of the year and Jamie Sparks of Cherry Brook earning urban single track recording of the year for Gonna Get Down.

"I took a bit of a break from the music business to clear my head — it can get a bit stressful," Sparks said of his recent hiatus from recording and performing after a few years of working in the United States. "I wanted to get back into it, but I never expected this."

Other Nova Scotia winners included cellist Denise Djokic for classical recording of the year for Folklore, Sons of Maxwell for country recording of the year with Sunday Morning and Tom Roach’s Piano Trios for jazz recording of the year.

Hosted by the Trailer Park Boys, with performances by acts like Matt Mays & El Torpedo, the Novaks, Wintersleep and Lennie Gallant, the East Coast Music Awards on Monday capped five days of seminars, showcases and shmoozing in Charlottetown, extended by a day because the closing ceremony of the Winter Olympics bumped the broadcast. Next year, the ECMAs return to Halifax, the city where it all began.


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Poto by: Victor Maurice Faubert

   

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